Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Monday, 30 January 2012

Lady Gaga To Release Album This Year


Little Monsters the world over can rejoice over the news that Lady Gaga has confirmed plans for an album release this year. Though still riding high on the success of Born This Way, Lady Gaga is not about to stop and break the momentum. 

She told The Insider that 2012 would see her continuing to do what she's been doing so well. “I just want to keep going,” Lady Gaga revealed. “I'm not as goal-obsessed as I am process-obsessed. I just want to keep writing music. I'm looking forward to putting out another album and going on tour.”

Friday, 27 January 2012

Oscar fashion goes bold. Thank Lady Gaga!


Taking a tip from music stars Lady Gaga and Nicki Minaj, Hollywood's A-list actresses are expected to turn up on Oscar's red carpet in many bold, futuristic designs, fashion experts predict.

The eye toward the future marks a turnaround from recent years in which styles at Hollywood's biggest awards shows have featured vintage gowns, subdued designs and colours, and less jewelry in a nod to the world's economic woes.

But with consumer confidence up, Hollywood's top female actresses will be wearing distinctive gowns highlighted by draping and accented shoulders and sleeves. Expect a wide array of colours, from pale shades and skin tones to bold purples, oranges, midnight blues and classic black.

Designer Marc Bouwer said this year's futuristic fashions are influenced by some of the "out-there" costumes of pop music superstars like Lady Gaga, Minaj and now Britney Spears as seen in her latest video, "Hold It Against Me."
"Artists are starting to dress much more crazy, more out there and it has a ripple effect on fashion," said Bouwer. 

"While you won't see a Lady Gaga outfit necessarily on the Oscar red carpet, you will see more architectural styles -- an expanded shoulder, a pronounced sleeve. The stronger power woman has emerged, and you cannot ignore that trend."

Styles on the red carpet ahead of the world's top film honors are expected to be similar to those debuting last month at Hollywood's Golden Globe Awards.
At that show, "Glee" star Lea Michelle dazzled fashionistas in a pink asymmetrical Oscar de la Renta gown, and other actresses such as Nicole Kidman, Michelle Williams and Scarlet Johansson turned up in skin tones and pale shades of rose.

Jewelry is back

This year Bouwer, who famously dressed Angelina Jolie in a white satin halter dress for the 2007 Oscars, is working with nominees including "The Fighter" star Melissa Leo on the trend he calls, "futuristic architectural minimalism."
It is a look that he and others said not only takes into consideration the dress, but accessories that come with it.

"We're going to see statement pieces," said Greg Kwiat of Kwiat Diamonds. His jewels previously were worn at the Oscars by past nominees such as Anna Kendrick and Natalie Portman.

"A bracelet, a necklace. There will be everything from classic diamonds to lots of colours like yellow gold or aquamarine," Kwiat said.
If the dresses and jewels are bold, then the hair has to be simple and "not so overly complicated" according to celebrity hair stylist Anthony Morrison.

"Whether the hair is up or down, it's more about having a finished look, not frizzy or disheveled," he said. "We've been using a lot of smoothing products to make sure hair is glossy, shiny and polished."

Hair colour is also expected to be big and bold this year.

"The colour is going to look amazing," Morrison said. "Rich brunettes, gorgeous reds and perfect blondes. Everybody will enhance whatever colour they have."
Colour enhancement is likely to be seen in many gowns, as well, along with classic black and ivory found at black-tie events. Allen B. Schwartz, creative director of A.B.S. by Allen Schwartz said to expect bold greens, purples, corrals, oranges and midnight navy.

"Colour is usually about positive energy," he said. "We all know what's gone on with people struggling because of the economy. Everyone has started off the year with a renewed energy for a better time (and) colour is about being happy."

Wednesday, 25 January 2012

Elton John, Lady Gaga among pop stars snubbed in Oscar best song category


The consolation for Elton John, Lady Gaga, Mary J. Blige, Elvis Costello, Willie Nelson, Brad Paisley, Chris Cornell, Zooey Deschanel and other superstar pop, rock and country musicians who got snubbed in the best song Academy Award nominations announced Tuesday is that they’re in pretty stellar company.
With just two songs earning nominations —“Man or Muppet” from “The Muppets” and “Real in Rio” from “Rio” -- the list of also-rans includes a bounty of heavyweight performers and songwriters.
Yet they didn’t score enough points with Academy voters to make the final nomination list. Voters had 39 songs to sort through this year, for which they were asked to assign a score to each on a scale of 6 to 10 points, after viewing clips from each film that included the eligible song.
Only songs that received an average of 8.25 points or more could be nominated, with a maximum of five songs in the category, and no more than two songs from the same film.
Among the songs that fell short of that score were two Elton John songs from “Gnomeo and Juliet”: “Love Builds a Garden” and his duet with Lady Gaga, “Hello Hello.” Mary J. Blige’s “Living Proof” from “The Help” and Elvis Costello’s “Sparkling Day” from “One Day” were under consideration, along with Soundgarden frontman Chris Cornell’s “The Keeper” from “Machine Gun Preacher,” Deschanel’s “So Long” from “Winnie the Pooh” and Black Eyed Peas member will.i.am’s “Hot Wings,” also from “Rio.”
One of the most powerful songs to appear in a movie last year was J. Ralph’s “Hell and Back,” sung by Willie Nelson. But because it appeared in a documentary, director Danfung Dennis’ “Hell and Back Again” about the war in Afghanistan, it was a longshot for a nomination.
Country musicians with songs in mainstream hits didn't fare any better: Zac Brown was one of the writers of “Where the River Goes” from the remake of “Footloose,” and Brad Paisley was eligible, with co-writer Robbie Williams, for “Collision of Worlds,” from “Cars 2.”
And even being an Academy Award veteran was no guarantee of a nomination this year: Eight-time Oscar winner and 19-time nominee Alan Menken didn’t make the cut with “Star Spangled Man” from “Captain America.”
As others have noted, if this year’s Oscar telecast runs late, it won’t be because of a surfeit of nominated song performances.

Lady Gaga’s greatest hits


HAVING arrived in Britain on a student visa little more than a year into her first term as prime minister, one of my earliest impressions of Margaret Thatcher was based on her performance at the Conservative Party conference in October 1980.

Here she notoriously declared: “To those waiting with bated breath for that favourite media catchphrase, the ‘U-turn’, I have only one thing to say: ‘You turn if you want to. The lady’s not for turning’.”
There was something in her unpleasantly smug tone of voice that made her speechwriter’s reasonably clever turn of phrase come across as an arrogant platitude.

Not long afterwards, she came across as utterly implacable in the face of hunger strikes by Irish nationalist prisoners.
Recently released cabinet documents show that, contrary to her public posture, Thatcher was open to the idea of back-channel negotiations with the Irish Republican Army (IRA), primarily because of the international attention the hunger strikers had begun to attract — particularly after their leader, Bobby Sands, had successfully contested a parliamentary by-election.

He was the first among them to die, followed by Francis Hughes. Ultimately, there were eight more. The prisoners were not demanding to be freed. They essentially wanted their political status, of which they had been stripped, to be restored. The Thatcher regime was willing, rather, to see them die. The scenario somehow did not square with my picture of a western liberal democracy.

It also substantially aided the political fortunes of Sinn Fein, the IRA’s political wing. And some years later Thatcher strayed into Kafkaesque territory when she decreed that the likes of Gerry Adams could be seen but not heard, the idea being to deny them “the oxygen of publicity”.

The farcical consequence of this was that when they appeared on television, their words had to be spoken by actors. Unlike many of the Thatcher government’s other actions, that never made the slightest bit of sense.
There was, after all, a certain logic behind the so-called economic rationalism and the widespread privatisation, the spending cuts, the vicious attacks on unions. It wasn’t by any means a pleasant logic, and its consequences — mass unemployment, increasing disparities of wealth and a deeply polarised society — were foreseeable.

But Thatcher, enraptured by the ideas of Milton Friedman and Friedrich Hayek, and impressed by the changes the ‘Chicago boys’ had wrought in Chile under her friend Augusto Pinochet’s brutal military dictatorship, was determined to change the mainstream western welfare capitalism paradigm.

The circumstances were propitious in several ways. Ronald Reagan, echoing the small-government mantra, took up residence in the White House in 1981.
The following year, Argentina under military leader Leopoldo Galtieri invaded the Falklands, a minuscule British colony in the South Atlantic, providing Thatcher with an excuse for a military expedition, and the attendant jingoism deflected attention from the domestic havoc her policies were wreaking.

A few years later, the changes in Eastern Europe and the Soviet Union facilitated the projection of a rawer form of capitalism as the only path worth following. In retrospect, Thatcher’s statement “I like Mr Gorbachev. We can do business together” was not so much an endorsement as a kiss of death.

I left Britain shortly after Thatcher’s electoral landslide in 1983, and the opportunity for a return visit never arose until last year. Much had inevitable changed in the interim, but there was also a powerful sense of déjà vu, what with another Tory government implementing deep cuts in public spending and bouts of urban rioting.

David Cameron dismissed the rioters as nothing but criminals — consciously or otherwise echoing Thatcher and her ministers 30 years earlier, in the wake of eruptions in parts of London, Liverpool and Manchester.
In 1981 as in 2011, the outbursts were widely attributed to alienation, deprivation and racist policing. Back in the Thatcher era, the response was to reinforce police armouries — and the added weaponry came in handy during the government’s prolonged confrontation with miners a couple of years later.

Thatcher’s legacy has lately resurfaced in Britain as a bone of contention primarily on account of Phyllida Lloyd’s movie The Iron Lady, which has been attacked from left and right as an inaccurate portrait of the former prime minister.

However, as its maker accurately professes, the film is essentially rumination on old age; to the extent that a few of the key events from her political past are fleetingly represented on the screen, they appear as subjective flashbacks, refracted through the prism of an elderly woman’s decaying mind.

Whether an essentially apolitical feature film about Margaret Thatcher makes much sense is a different matter. Meryl Streep’s Oscar-worthy impersonation of the woman in her political prime as well as in her dotage is riveting. The notions it might plant in the minds of those who go into the cinema hall with little foreknowledge of what she meant to Britain and the world may leave much to be desired.

As one critic suggested, they might view her, somewhat sympathetically, less as the Iron Lady than as Lady Gaga. Another commented, accurately, that the movie depicts Thatcher without Thatcherism.

That creed was, much to his predecessor’s delight, eagerly pursued by Tony Blair. Having anointed him as her rightful heir, Thatcher was mightily miffed when the Blair government inconvenienced Pinochet by putting him under house arrest pending a court hearing on a Spanish extradition request.

It might have been interesting, artistically, to depict a conversation between the two radical right-wing has-beens at the English country mansion where the former Chilean dictator was housed.

That would, no doubt, have conformed with the senescence angle. Or perhaps Thatcher could have been shown making small talk with Nelson Mandela, whom she dismissed as a terrorist while deploring sanctions against the apartheid regime.

For a woman from a lower middle-class background to reach the Tory pinnacle and then hold power for 11 years was no doubt a noteworthy achievement. But she made an awful mess of her years at Number 10. Baroness Thatcher’s memory may now be selective — but that’s no excuse for anyone else forgetting her baleful contributions to a depressing decade.

Tuesday, 17 January 2012

Rock chick Lady Gaga is going Def

LADY Gaga has been rifling through her old man's record collection again to name her latest musical inspiration – Def Leppard.


She became hooked on the Sheffield rock band after her dad Joe blasted their vinyl to the family in New Jersey.
Gaga said: "With my music there's lots of really big Def Leppard-style melodies in the choruses but it's electronic dance music. I'd call it avant-garde techno rock. It is very hard and very edgy.
"There are a lot of rock influences on the album but not that it is rock music.
"It is an exploration of electronic music and techno songs but I have created a genre of metal/dance/techno/rock/pop music with a lot of anthemic choruses, because that is actually the music I love."

Sunday, 8 January 2012

Lady Gaga Plans New Album and Tour (Recap)


On Friday Lady Gaga Plans New Album and Tour was a top story. Here is the recap: (popmusiclife) Lady Gaga's still riding high with her "Born This Way" album, but she's looking forward, not backward, at new projects on the horizon. One of them is a new album in 2012.
"I just want to keep going," Gaga tells The Insider.

 "I'm not as goal obsessed as I am process obsessed. I just want to keep writing music. I'm looking forward to putting out another album and going on tour."

Last month, Gaga confirmed that she already has a title in mind for the project, but is keeping it under wraps as she works towards completing the project

Lady Gaga's Big 2012: A Psychic Weighs In


'This tour is going to be really good for her,' psychic Jesse Bravo says of Gaga's planned 2012 BTW Ball.


As 2012 rolls along, Lady Gaga has already teased she has some big plans ahead. So MTV News decided to look to New York-based psychic Jesse Bravo to see what fate has in store for the pop superstar. Bravo recently rolled up to the MTV News offices and looked into his crystal ball.

"Lady Gaga for 2012, it's going to be sort of a slower year for her because she has her tour, which means she's not putting out a lot of new material," Bravo explained, despite Gaga's tease that she is working on her follow-up to 2011's Born This Way

"So for me, when I sort of looked up around there to see what was happening for her, I saw her sales sort of slow down because of new material. But she's also building up this new momentum for running her base for this tour. 

This tour is going to be really good for her."
Gaga has already thought about the Born This Way Ball, tweeting over the holidays that she was pondering the things she wants to sell on tour. "Designing merch for the tour, when you see it you will die.#deathbyinexpensiveglamour," she wrote.

Mother Monster is also famously known for her wild style, which Bravo said won't disappoint in the next 12 months. "I believe her next big outfit is a cross between two things, and I was sort of stuck in between, like, where I should go with this because I saw two outfits, which means they can come in succession," he said. 

"I don't know which one is going to come first. But I will believe the one that I saw is this outfit, and I can't really describe it, but it's going to have lights embedded in it. So it's going to be pretty bizarre. And then I saw another outfit and it's like a body outfit, one that you spray-paint on, and I don't know if it's a stars-and-stripes theme, but I saw that there were stars and stripes in the right areas."

In addition to all the ups in her career, Gaga's personal life will also prosper, according to Bravo, which means that she may get even more serious with her rumored beau and "You and I" co-star, "Vampire Diaries" actor Taylor Kinney.

"Her personal life is going to stay stable for a while. The reason why is that on the outside she shows she's a strong character — and for business she is — but on the inside she's a mush. And so as a result, she needs to have her relationship in place, especially right now when she needs that support on going on something that's so big," he said. 

"Two years is a long, long time [to tour]. I don't think that relationship is going ... it's not going out."

Just how serious might they get? Well, Gaga, believe it or not, is already pondering a family, according to Bravo. 

(Although she did note in a recent interview that the only family she is focused on is her new music.)

"I also feel this need of having children. So I don't know how this is going to play because we know she has a tour and she's not going to stop the tour short to have a child," Bravo predicted. "And I know that work is on her mind, but I know that [her spirit guide] Liberace is telling me about a child. And I know that in the back of her mind, she wants one. I think with her, it's about scheduling ... and I would say we're looking somewhere at 2014-2015. That's going to be her time."

What do you think about Jesse Bravo's predictions for Lady Gaga? Tell us in the comments!

Wednesday, 4 January 2012

Katy Perry Probably Still Hates Lady Gaga


Word on the street is that Katy Perry has requested to not be anywhere near Lady Gaga at the Grammy Awards in February. 

A source told Now Magazine that Katy’s people have been in contact with Gaga’s people, to make sure that the both of them are “seated as far away from each other as possible to avoid any uncomfortable moments” since Katy feels that Gaga is more into controversy than music. 

I love the both of them, so yeah, no comment.

Tuesday, 20 December 2011

Lady GaGa Named On The Oscars 'Best Song' Longlist

She's picked up a mention for Elton John duet, Hello Hello...

09:28, Tuesday, 20 December 2011
Lady GaGa has been named on The Oscars2012 longlist in the Best Song category.
The Marry The Night singer is mentioned in the list of 39 songs hoping for a nomination, with her Gnomeo and Juliet duet, Hello Hello, with Elton John in the race for a place in the final list.
Elton's solo track Love Builds A Garden also features, while Mary J. Blige has received a nod for The Help's Living Proof.
Robbie Williams and Brad Paisley's Cars 2 collaboration Collision of Worlds will also go head-to-head with Will.I.Am's track Hot Wings from the movie Rio and Zooey Deschanel's So Long, taken from Winnie the Pooh.
Madonna has missed out on a place in the longlist as her song Masterpiece from flick W.E.featured too far into the movie's end credits - with the rules stating it must be a lead song to received a nomination.
Out of the 39 tracks appearing on the longlist, only five will secure a nod and make the shortlist in the Best Song category.
However, if not one song receives enough votes from members of the Academy, there could be no category at all.
The voting process begins on 5th January, while the full 2012 Oscars nominations will be announced live on 24th January 2012, at 5.30am PT at the Academy's Samuel Goldwyn Theatre.

Friday, 16 December 2011

Lady Gaga Named Richest Female Music Artist


Lady Gaga has been named the richest female artist of 2011 - beating her rivals by raking in £58m this year alone.
The controversial pop singer made it to number one of the Top-Earning Women In Music List, compiled by Forbes.
The success was mainly due to the earnings she made from her latest CD, Born This Way.
The Canadian artist also made a significant amount of cash through her many endorsement deals, which include the likes of Polaroid, Virgin Mobile, Monster Cable and PlentyOfFish.com.
Lady Gaga earned doubled the income of runner up Taylor Swift, who earned £29m in 2011.
Quirky pop singer Katy Perry came in third at £28m, thanks to continued number one singles from her CD Teenage Dream, and from her California Dreams Tour.
She (SNP: ^SHEY - news) received the special achievement award for being the first female pop artist with five number one hits from a single album at the 2011 American Music Awards in Los Angeles.
She is the only artist to achieve that feat outside of Michael Jackson back in the 1980s.
Adele is the only Briton who managed to make it in to the top 10 list.
The success of her record-breaking album 21 saw her earn £11.6m net.
Pregnant Beyonce was also in the top five, adding £18.7m to her fortune.
The 10 top-earning female artists in 2011:
1. Lady Gaga
2. Taylor Swift
3. Katy Perry
4. Beyonce Knowles
5. Rihanna
6. Pink
7. Carrie Underwood
8. Celine Dion
9. Adele
10. = Alicia Keys
10. = Britney Spears
Forbes compiled the list using income earned from May 2010 to May 2011. 
It also used data from US survey compiler Pollstar and the Recording Industry Association of America, as well as interviews with industry insiders and the musicians themselves.




Sources : http://uk.news.yahoo.com/lady-gaga-named-richest-female-141951619.html

Thursday, 8 December 2011

Lady Gaga Has a New Muse: Five of Her Best Love Songs so Far


Lady Gaga has got herself a new man, in the shape of "Vampire Diaries" star, Taylor Kinney ! The couple met while filming Gaga's video for "You and I," and have been casually seeing each other ever since. This is great news for Mother Monster, as he could become her new muse! She has written and performed many love songs throughout her career so far, and if she falls in love, there could be many more! Here is a look at Gaga's greatest love songs to date.
"Speechless"
After the diva released her first album, she later went on to re-release it with additional tracks. "Speechless" was one of the new songs, and it really packs a punch! It's very stripped back and dramatic, and talks about the shock of someone telling you your relationship is over. She sings it with such an incredible believability that you can't help but feel every single word.
"Brown Eyes"
"Brown Eyes" is another song from the extravagant star's first album. It tells the story of losing a love, and getting lost in their eyes. This is pretty much something anyone who has ever been in love can relate to! The lyrics are a little bit odd in places, but most of all, you get the feeling that she really, really likes brown eyes!
"You and I"
From the "Born This Way" album, "You and I" is probably the most poignant love song Gaga has ever written. It's about reminiscing about happier times within a relationship and not wanting to let someone go. It is believed that the track was written about her ex-boyfriend Luc Carl, which would make sense, as he is indeed a "cool, Nebraska guy!"
"Again Again"
This is a very underrated track from the crazy fashionista's first album. Much like "Speechless," the words and the way it sounds really pull you in, and you can feel every bit of passion and pain. You can almost imagine her singing it drunk in a bar somewhere as she drowns her sorrows.
"Eh, Eh (Nothing Else I Can Say)"
This song could be interpreted in a few ways. The most logical story within the lyrics is that it's about thinking you're in love with someone, then meeting someone else who you are genuinely in love with. Hopefully, this isn't the way Gaga will feel about Taylor Kinney after a few months!

Thursday, 1 December 2011

Lady Gaga's Legacy: Will She Be Remembered for Her Music or for Her Shock Appeal?


Lady Gaga, the enigmatic, unpredictable and highly popular pop star skyrocketed to fame in a relatively short amount of time. Her catchy music is only out-shined by her shocking fashion decisions and her ability to surprise fans with outfits that range from quirky to the outright bizarre. Will Lady Gaga be remembered for her music or her shock appeal? Fans and music lovers alike weigh in on the future legacy of Lady Gaga, with opinions falling on both sides of the fence.
Will Gaga's Music Stand up to the Test of Time?
Many of Lady Gaga's fans believe that Lady Gaga will be remembered most for her music. Karen Law of Philadelphia states "Lady Gaga will definitely be remembered. She's followed Madonna's footsteps with the shock value and used it to her advantage. She takes it to another level though." Law adds "She is also an incredible performer and very talented young girl. She dances, sings and writes some of her own music. She will be remembered for a very long time to come." While fans admit that Lady Gaga exudes shock appeal, it is a complementary part of the Gaga package. In the eye of her fan's, Lady Gaga's music will be what she is remembered most for.
The Argument for Shock Appeal
If there is one thing that Lady Gaga does especially well, making an entrance would certainly be it. With outrageous fashion choices such as the meat dress, going onstage with blue armpit hair and her infamous bubble dress, Lady Gaga's outfits never fail to stun spectators. Lively celebrity figures that have paved the path Lady Gaga seems to be following including Madonna and Dennis Rodman, whose careers who somewhat overshadowed by their vibrant public persona. Many fans cannot tell you what Rodman's achievements were in his basketball career, but they can readily list off his public exploits and interesting fashion sense. There is a heated argument brewing that this is the case for Lady Gaga.
Some Say Neither
There are some music enthusiasts that say Lady Gaga's music and shock value will be unmemorable. Lauren Holmes of Philadelphia says "I think neither. While I enjoy her music, it's nothing more than pop, which is fun, but not memorable by any means. As far as shocking goes, I don't find her all that especially shocking. Madonna, Cyndi Lauper, Wendy O. Williams, The Runaways, Courtney Love. It's all been done already." Some music enthusiasts feel that while Lady Gaga is popular at the moment, her star will eventually fade away.


Sourceshttp://voices.yahoo.com/lady-gagas-legacy-will-she-remembered-8771269.html?cat=46

Early life Lady Gaga 1986–2004


Lady Gaga was born Stefani Joanne Angelina Germanotta on March 28, 1986, in New York City.[6] Brought up in the family home in Manhattan's Upper West Side,[7] Gaga is of the Italian[8] and more distant French-Canadian descent[9] of her parents Cynthia (née Bissett) and Joseph Germanotta, an internet entrepreneur.[10] The elder of two children, Gaga has one sister, Natali, who was born in 1992.[11] Gaga has stressed that – despite her seemingly affluent upbringing – she did not come from a wealthy background, stating that her parents "both came from lower-class families, so we've worked for everything—my mother worked eight to eight out of the house, in telecommunications, and so did my father."[12]
From the age of 11, Gaga – who was raised Roman Catholic[13] – attended the Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side.[14][15] She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure" as she told in an interview, "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn't fit in, and I felt like a freak."[16][17] Acquaintances dispute that she did not fit in at school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate.[18]
A keen musician, left-handed Gaga began playing the piano at the age of 4, went on to write her first piano ballad at 13, and started to perform at open mike nights by the age of 14.[19][20] Her passion for musical theatre brought her lead roles in high school productions, including Adelaide in Guys and Dolls and Philia in A Funny Thing Happened on the Way to the Forum.[21] She also appeared in a very small role as a mischievous classmate in the television drama series The Sopranos in a 2001 episode titled "The Telltale Moozadell"[22] in addition to unsuccessfully auditioning for parts in New York shows.[7] When her time at the Convent of the Sacred Heart came to an end, her mother encouraged her to apply for the Collaborative Arts Project 21 (CAP21), a musical theatre training conservatory at New York University's Tisch School of the Arts.[7] After gaining early admission at 17, she eventually lived in an NYU dorm on 11th Street.
Being part of such a prestigious performance course, she sharpened her songwriting skills while composing essays and analytical papers on art, religion, social issues and politics[20][23] including a thesis on pop artists Spencer Tunick and Damien Hirst; such research prepared her for her future career focus in "music, art, sex and celebrity."[24] Gaga also tried out for and won auditions while at CAP21,[7] including the part of an unsuspecting diner customer where MTV's Boiling Points – a prank reality television show – was being filmed.[25] Notwithstanding these achievements, Gaga felt that she was more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said. By the second semester of her sophomore year, she withdrew from the school to focus on her musical career.[26] Her father agreed to pay her rent for a year, on the condition that she re-enroll at Tisch if unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she remembers.[21]
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